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Revolutionizing Addiction Treatment: the Science of Alcohol Use Disorder and Naltrexone's Role in Recovery
Revolutionizing Addiction Treatment: the Science of Alcohol Use Disorder and Naltrexone's Role in Recovery

January 15th 2025

How can personalized care, addressing comorbidities, and focusing on gradual improvement help increase treatment success for alcohol use disorder?

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GLP-1 Agonist Anti-Obesity Meds Reduced Alcohol Use Disorder-Related Hospitalizations

December 23rd 2024

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Positive Results From Pharmacokinetics Study of AD04 for the Treatment of Alcohol Use Disorder

November 14th 2024

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A Case of Comorbid PTSD and Alcohol Use Disorder

September 23rd 2024

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End-of-Life Care for Patients With Psychiatric Disorders

September 20th 2024

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The Best Film of 2008? Charlie Kaufman’s Synecdoche, New York

October 3rd 2009

Synecdoche, New York, screenwriter Charlie Kaufman’s directorial debut, was greeted with Best Film of the Year from critics and catcalls from moviegoers. It is a film that only someone like Psychiatric Times’ Editor in Chief, Dr Ron Pies, could fully understand (ie, a psychiatrist who knows about arcane neuroscience and literature). The problems start with the title. Most people have no idea what “synecdoche” means or how to pronounce it. Looking it up is not much help. The Oxford English Dictionary defines it as “a figure [of speech] by which a comprehensive term is used for a less comprehensive or vice versa, as whole for part or part for whole, genus for species or species for genus, etc.” The commentary adds to the confusion: “Formerly sometimes used loosely or vaguely, and not infrequently misexplained.” No matter. Most critics did not explain it anyway, emphasizing instead its pronunciation-si-NECK-doh-kee-which sort of rhymes with Schenectady (sken-ECK-tuh-dee), where the film “seems” to be set. They outdid each other, too, in their praise of the film, while being surprisingly candid about their inability to explain it. Roger Ebert called it “Joycean,” with the richness of literature. He enthused, “It’s about you. Whoever you are,” even though he conceded that he had not fully understood it. As for the ambiguity of the title, he advised readers to “get over it.”

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