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Take a look back at our recent coverage relating to our April content theme.
Addiction & Substance Use in Psychiatric Times

April 11th 2024

Take a look back at our recent coverage relating to our April content theme.

What is new in research on alcohol use disorder?
Alcohol Use Disorder Research Roundup: April 5, 2024

April 5th 2024

In honor of this year’s National Alcohol Screening Day, here’s a look back at some recent coverage in Psychiatric Times about the diagnosis, treatment, and management of alcohol misuse.
National Alcohol Screening Day 2024

April 4th 2024

conference
Insights and Highlights From the Annual Psychiatric Times World CME Conference

December 21st 2023

What is new in research on SUDs?
Substance Use Disorders Research Roundup: November 3, 2023

November 3rd 2023

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The Best Film of 2008? Charlie Kaufman’s Synecdoche, New York

October 3rd 2009

Synecdoche, New York, screenwriter Charlie Kaufman’s directorial debut, was greeted with Best Film of the Year from critics and catcalls from moviegoers. It is a film that only someone like Psychiatric Times’ Editor in Chief, Dr Ron Pies, could fully understand (ie, a psychiatrist who knows about arcane neuroscience and literature). The problems start with the title. Most people have no idea what “synecdoche” means or how to pronounce it. Looking it up is not much help. The Oxford English Dictionary defines it as “a figure [of speech] by which a comprehensive term is used for a less comprehensive or vice versa, as whole for part or part for whole, genus for species or species for genus, etc.” The commentary adds to the confusion: “Formerly sometimes used loosely or vaguely, and not infrequently misexplained.” No matter. Most critics did not explain it anyway, emphasizing instead its pronunciation-si-NECK-doh-kee-which sort of rhymes with Schenectady (sken-ECK-tuh-dee), where the film “seems” to be set. They outdid each other, too, in their praise of the film, while being surprisingly candid about their inability to explain it. Roger Ebert called it “Joycean,” with the richness of literature. He enthused, “It’s about you. Whoever you are,” even though he conceded that he had not fully understood it. As for the ambiguity of the title, he advised readers to “get over it.”

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